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For the past 45 years, the nonprofit Women Make Movies has been one of the leading industry organizations working to help female filmmakers, directors and producers create films with a message of female empowerment and resilience.

Among its latest efforts are new Indigenous-themed films, each employing a female Native producer and/or director.

“We support women producers and directors from the beginning, planting the seeds for a diverse and inclusive filmmaking landscape,” the group’s website states. “As the world’s leading distributor of independent films by and about women, we amplify historically ignored voices and challenge the mainstream media.”

Kendra Hodgson, director of strategy and innovation at Women Make Movies, says she is excited about the release of the films, which will be available to interested viewers via a virtual film festival WMM is hosting in celebration of Native American Heritage Month November 1-8 as well as to educators and institutions of learning on a case-by-case basis.

The films and associated Native directors and producers are as follows:

“Without a Whisper: Konnon:kwe”

Filmmaker: Katsitsionni Fox, Mohawk

Without a Whisper

Quote from Katsitsionni Fox: “It was important for me to make this film to honor my grandmothers that inspired a movement and were never acknowledged. It is time for Indigenous filmmakers to share our stories and break through the silence and the stereotypes. In my films, I focus on the resilience and the wisdom of our women.”

Synopsis: “Without a Whisper: Konnon:kwe” uncovers the hidden history of the profound influence Indigenous women had on the beginnings of the women’s rights movement in the United States. Before the first women's rights convention in Seneca Falls in 1848, European colonial women lacked even the most basic rights, while Haudenosaunee women had a potent political and spiritual voice and authority in all aspects of their lives. The contact that the early suffragists had with Haudenosaunee women in New York state shaped their thinking and had a vital impact on their struggle for equality that is taken for granted today. The film follows Mohawk Bear Clan Mother Louise Herne and Professor Sally Roesch Wagner as they seek to correct the historical narrative about the origins of women’s rights in the United States.

“Sisters Rising”

Directors: Willow O’Feral & Brad Heck
Executive Producer: Tantoo Cardinal, Cree/Metis
Producer: Jaida Grey Eagle, Oglala Lakota

Sisters Rising

Quote from Producer Jaida Grey Eagle: “The abhorrent violence that is a constant in the lives of Indigenous peoples impacts Indigenous women first. We are on the frontlines of an ongoing legacy of violent colonization, and it is vitally important that the world see and hear us.”

Synopsis: “Sisters Rising” is the story of six Native American women fighting to restore personal and tribal sovereignty in the face of ongoing sexual violence against Indigenous women in the United States.

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Native American women are 2.5 times more likely to experience sexual assault than all other American women, federal studies have shown. One in three Native women report having been raped during her lifetime, and 86 percent of the offenses are committed by non-Native men. These perpetrators exploit gaps in tribal jurisdictional authority and target Native women as ‘safe victims’.

The film follows six women who refuse to let this pattern of violence continue in the shadows: A tribal officer in the midst of the North Dakota oil boom, an attorney fighting to overturn restrictions on tribal sovereignty, a teacher of Indigenous women’s self-defense, grassroots advocates working to influence legislative change, and the author of the first anti-sex trafficking code to be introduced to a reservation’s tribal court. Their stories shine an unflinching light on righting injustice on both an individual and systemic level.

“Sisters Rising” is an urgent call to action, a gorgeous portrait of powerful women acting in solidarity, and a demand for tribal sovereignty and self-determination as the necessary step towards ending violence against Native women.

“Conscience Point”

Director: Treva Wurmfeld
Producer: Julianna Brannum, Comanche

Quote from producer Julianna Brannum, Comanche: “‘Conscience Point’ paints a very deep history that includes a very complex experience and all of our characters/storytellers/knowledge-keepers highlighted in this film make it all easier for the viewer to understand land rights issues, invisibility, and historical trauma. But there are nuances to those stories, background, and history that I think makes it important for Native producers and directors to collaborate actively with the non-Native storytellers that may be leading or developing a project. Treva was always highly receptive to my ideas and thoughts and her sensitivity to subjects was unmatched. I was honored to be a part of it and have great respect for her as a collaborator."

Synopsis: Beneath the mystique of the Hamptons, among one of the wealthiest zip codes in the U.S., lies the history of the area's original inhabitants. The Shinnecock Indian Nation were edged off their land over the course of hundreds of years, pushed onto an impoverished reservation, and condemned to watch their sacred burial grounds plowed to make way for mega-mansions and marquee attractions like the exclusive Shinnecock Hills Golf Club, a five-time host of the U.S. Open.

“Conscience Point” tracks this fractured history alongside the path of one woman determined to make a stand: Shinnecock activist Rebecca “Becky” Hill-Genia who, together with other tribal members and allies, has waged a relentless, years-long battle to protect the land and her tribe’s cultural heritage from the ravages of development and displacement. Now both the Shinnecock Nation and town residents face a new challenge; the onslaught of elite newcomers who threaten the very place they intend to cherish.

A live public viewing of the films

Hodgson shared with Indian Country Today that Women Make Movies generally offers films to education-based institutions, but that these specific films will also be available to the public.

For more information, see the Women Make Movies website for details.

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Vincent Schilling, Akwesasne Mohawk, is associate editor of Indian Country Today who enjoys creating media, technology, computers, comics and movies. He is a film critic and writes the #NativeNerd column. Twitter @VinceSchilling he is also the opinions’ editor,

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